Piers Atkinson’s - The Labyrinth

A pop-up retail experience imagined as a theatrical journey through the surreal world of British milliner Piers Atkinson.

The Labyrinth transforms retail into a stage - where fashion, fantasy and spatial design collide.

The Theatrical Encounter

Stepping into The Labyrinth is like entering a stage mid-performance.

This concept draws on the surreal theatricality of Piers Atkinson’s millinery and invites visitors to lose themselves in a dreamlike spatial narrative.

With references to optical illusion, circular motifs, and unexpected transitions, the experience was designed to feel both familiar and fantastical — much like stepping through the looking glass or falling down the rabbit hole.

Through the Looking Glass: Spatial Transformation

Designing Illusion: A Spatial Reflection

“I can’t go back to yesterday, because I was a different person then.”

— Alice, “Through the Looking-Glass

The Labyrinth is more than an installation — it’s an invitation to step outside the expected and into a story woven from illusion, fashion, and form. Designed as a spatial metaphor for theatrical immersion, every detail was crafted to distort, delight, and disorient in equal measure.

From mirrored portals and distorted thresholds to curated sightlines and sensory contrast, the installation dissolves boundaries between art, architecture, and audience. Like Piers Atkinson’s millinery, it’s bold, layered, and never quite what it seems.

This project explores how design can evoke wonder not just through aesthetics, but through narrative structure — a spatial script that reveals itself as visitors move, pause, and reflect.

Interior Design, Spatial Storytelling and Visual Direction by

Mia Blanford | Cloud23

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